The posters
One per night or per event, in the real formats: print, screen, story, post. Derived from the identity system, not redrawn each time.
Posters, short videos, stories, posts. The editorial calendar follows the calendar of your nights, your menu, your events. Not the other way round.
Steady production, in the venue’s identity, delivered before the date.
One per night or per event, in the real formats: print, screen, story, post. Derived from the identity system, not redrawn each time.
Filmed on site or edited from your footage. Vertical format, subtitled, delivered within 48 hours after the event when it is a recap.
Planned weekly from the programming. The copy is written in the venue’s voice, reviewed by you before publishing or published directly, depending on the mode you choose.
A shared document: what goes out, when, on which channel. You see the month ahead; we see your programming changes.
A club programmes three weeks out, a restaurant changes its menu by season, a venue sells a date two months ahead. The content follows that rhythm.
Monday: video recap of the weekend, delivered from the night’s footage. Tuesday: posters and stories for the following weekend’s nights, from the programming received. Wednesday to Friday: reminders, artists, practical information. Saturday: live stories if filming is planned. The following Monday, it starts again.
One photo session per menu change, four or five a year. In between, scheduled posts about the dishes on the current menu, special hours, the terrace, private events. Replying to Google reviews is handled weekly in the same flow.
An artist cancelling on Thursday for Saturday is daily life in this trade. Because the poster is derived from an identity template, the new version goes out in hours, not days. The shared calendar is updated; nobody needs to phone.
No virality, no follower target. What we do hold to: regularity, consistency with the identity, and hitting the dates. Those three things fill a room over a season, not one post that happened to do well.
Access to the accounts, collection of the existing identity and footage, calendar for the first month.
The following week’s posters and posts delivered on a fixed day. Filming according to the events calendar.
What worked, what did not, the programming for the month ahead.
Every format has a job. We do not produce any to fill a grid.
It sells the night or the event. It exists in print, on LED screens, as a story and as a post, all derived from the same identity template. It is the format that carries the programming.
Brand identityIt proves the atmosphere. Night recap, behind the scenes, a dish being plated. Vertical, subtitled, cut short. Delivered within 48 hours when it is a recap — otherwise the night is already long gone.
It reminds. Tonight’s hours, a table still available, the artist has arrived, last places. Ephemeral by nature, it is produced fast from the templates, and it points to the booking.
They establish. The month’s programming, a resident artist, a new menu, the team. This is the content that stays on the grid and makes the first impression on someone visiting the account.
Whichever you prefer: either we publish, or we deliver and your team publishes. In both cases, the accounts stay in your name.
Not if it holds. If the posters do not look alike from one week to the next, we suggest starting with the identity system.
Yes for filming, in the Paris area. The rest is done remotely.
That is daily life in this trade. The shared calendar exists for it; a poster derived from a template is redone in hours, not days.
Send the link to your account and this month’s programming. We will propose a first calendar.